image as a plastic experience had not been due to 
     represented meaningful signs as such but rather to the 
     prevailing representation-concept which was static and 
     limited, and consequently in contradiction to the dynamic 
     plastic nature of the visual experience. The structure of 
     meaning had been based upon the same conception 
     which generated the fixed point of view of space 
     representation, linear perspective and modelling by 
     shading.

     The involuntary and subliminal character of this private or 
“fixed point of view” depends on the isolation of the visual 
factor in experience. (36) It is upon this “fixed point of view” 
that the triumphs and destructions of the Gutenberg era will be 
made. Since there is widespread misunderstanding about the 
flat, two-dimensional, mosaic form in art and experience, the